Author: CelluloidJunkies

This month the revised Celluloid Junkies line-up is cloistered in an Ursuline convent, profiling Ken Russell’s disturbing 1971 political horror film The Devils.

This podcast is non-profit and has been broadcast for educational purposes. Excerpts from the following material has been included to enhance the listener experience:

Witchfinder General (1968) dir. Michael Reeves, ENG
The Devils (1971) dir. Ken Russell, ENG

“Devil’s Suite” (1971) w & p: Peter Maxwell Davies
“There is a Light That Never Goes Out” (1992) w: Johnny Marr & Morrissey, p: The Smiths

He could have been James Bond, but British cinema’s most notorious hellraiser lost focus and died at the age of 61, leaving Ridley Scott to piece together his final performance as the slave dealer Proximo in Gladiator (2000) using outtakes, body doubles and CGI. Such was the affection for Oliver Reed among BAFTA members, however, that he was posthumously nominated for the best supporting actor award. But the public had come to think of him as a drunk making a boorish spectacle of himself on chat shows and Channel Four forums like After Dark. “Let’s face it”, Reed told critic Roger Ebert around the time he made Women in Love (1969). “There has to be somebody like me around. The press can’t write about fruits in paisley shirts. They like somebody like Richard Harris or myself, somebody who’s a boozer and gets in fights and is colourful as hell.”

The British Film Institute wrote this, and a lot more, in their list of ten essential Oliver Reed films. The Devils features, as do two more collaborations with Ken Russell.
http://www.bfi.org.uk/news-opinion/news-bfi/lists/oliver-reed-10-essential-films

The Quietus, on the other hand, wrote a stellar defence of the actor when they celebrated the BFI’s release of The Devils on special edition DVD.
http://thequietus.com/articles/08283-oliver-reed-the-devils-ken-russell-bfi-dvd

Then there’s the modern-day reassessment of the critically panned film, and here’s some of the best:

Dave Evans has been good enough to give us the two amazing missing sequences from The Devils. Here we present to you The Rape of Christ, and the alternate ending.

 

Finally, you must watch Hell on Earth: The Desecration and Resurrection of The Devils, a documentary in which critic Mark Kermode goes on the search for the missing footage. Featuring interviews with many of the key players from the film.

 

If you want to follow us on Letterboxd as well, we’re always logging and rating films we’ve been watching and occasionally Luke will do some pretty in-depth reviews, too.
Luke Kane: http://www.letterboxd.com/overbreakfast/
Damien Heath: http://www.letterboxd.com/jedikaos/

Thanks again for checking out Celluloid Junkies. We’ll see you next month with a close-up, in depth look at the various film versions of “A Star Is Born”, focusing on Frank Pierson’s 1976 version starring Barbra Streisand and Kris Kristofferson.

SPECIAL GUEST: Dean Treadway, “Movie Geeks United” podcast co-host

Just for kicks, we present a special episode on Darren Aronofsky’s controversial and entirely brilliant new movie. It is simultaneously an unyielding exploration of faith; a harsh criticism of man’s plundering of finite natural resources; a relationship drama; and the most uncomfortable film an introvert could ever experience.

If you haven’t actually seen this film, stop now and see it. We’ll still be here when you get back, and we guarantee there will be a lot to talk about.

This podcast is non-profit and has been broadcast for educational purposes. Excerpts from the following material has been included to enhance the listener experience:

mother! (2017) dir. Darren Aronofsky, USA

“mother!” [Score] (2017) w: Johann Johannsson

Check out the work of this month’s special guest Dean Treadway, co-host of the “Movie Geeks United” podcast. Dean has been involved in film criticism, film festival programming, and television performance and programming for more than 25 years.

[To Be Continued]

Every October we celebrate Halloween by profiling a great horror film, and this year we’re taking Tobe Hooper’s Poltergeist out for a spin.

This podcast is non-profit and has been broadcast for educational purposes. Excerpts from the following material has been included to enhance the listener experience:

Poltergeist (1982) dir. Tobe Hooper, USA
Poltergeist II: The Other Side (1986) dir. Brian Gibson, USA

Interview: Tobe Hooper by Mick Garris
https://www.youtube.com/watch?v=k0dzAiebr-Y

“Poltergeist” [Score] (1982) w: Jerry Goldsmith

Want an amazing array of information about Poltergeist? Then go to PoltergeistIII.com! Sounds funny, but it’s true. This is one of the best websites about the Poltergeist films, dealing not only with the original but its two sequels and the recent remake, too. You’ll find everything from marketing materials and press kits, shooting scripts, and even a floor plan of the Freeling house.
http://poltergeist.poltergeistiii.com

There’s a great deal of information available about the supposed ‘curse’ that was to befall the participants in the film, including this article from International Business Times.
http://www.ibtimes.com/poltergeist-curse-real-heres-true-story-behind-classic-1982-horror-movie-1932929

 

AMC’s Filmsite.org has done a great write-up on the film.
http://www.filmsite.org/polt.html

Check out some movie stills and their real-life locations from the movie, including the famous Tree in the Middle of the Road!
http://www.thennowmovielocations.com/2012/06/poltergeist.html

Finally, in the podcast we discussed the original versus its remake. Here’s some more opinions on that matter:

If you want to follow us on Letterboxd as well, we’re always logging and rating films we’ve been watching and occasionally Luke will do some pretty in-depth reviews, too.
Luke Kane: http://www.letterboxd.com/overbreakfast/
Damien Heath: http://www.letterboxd.com/jedikaos/

Thanks again for checking out Celluloid Junkies. We’ll see you next month with a look at Ken Russell’s much-maligned masturbatory masterpiece “The Devils”.

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